Les stages intensifs de 3 jours consécutifs
Méthode " No-Pressing" pour les instruments à vent
D'après les découvertes pédagogiques et philosophiques de Robert Pichaureau
Un antidouleur pour les instrumentistes à vent
Mouthpiece instruments Trumpet
Trombone
Horn
Hunting horn
Tuba
Prescription instruments... Mouthpiece and reed instruments
Saxophone
Clarinet
Flute
Oboe
Bassoon
Bombarde
Day of discovery of sharing and exchange which allows you to get to know Robert Pichaureau, his philosophy, his discoveries, his remedies and start practicing the first exercises on yourself. Where does lip pain come from? How does this hinder progress? What are the physiological and physical consequences on musicians? How to get rid of this suffering What does this mean once removed? How to now access the super-high pitch without suffering and develop your detached sound. individual and personalized analysis of your instrumental playing and awareness of your individual problems.
Week-end Courses
Open to all beginner or experienced wind instrumentalists and singers
Robert Pichaureau tells us that 95% of wind instrumentalists and singers suffer more or less consciously. The most urgent thing is therefore to stop suffering. The discoveries and remedies left by Robert Pichaureau make it possible to eliminate the excess pressure exerted by the mouthpiece or the mouthpiece of your instrument on your lips, but also the contractions of your entire body.
This has immediate effects on your instrumental playing, your desire and pleasure to play or sing and your emotional balance. Your body relaxes and the super-treble becomes accessible for instruments with reed mouthpieces, but also for singers.
This level gives you new solid foundations to build and flourish as an artist.
Stage 1: Towards knowledge of oneself and one's instrument
Stage 2: The unconscious work of the body, the inner journey
Stage 3: The unity of Man, body and mind, being in agreement with oneself
"We must avoid remaining dependent on luck or chance and suffering from premature fatigue. In music, we cannot be satisfied with approximations, we cannot erase, correct, complete, what is played is played. In order to To achieve great security, we will have to go through a very special apprenticeship: it is essential to know ourselves well.
Robert Pichaureau
Level II
Nourish and Develop your Inner Artist
Reserved for those who have practiced level I
Level III
Freedom to Create
Reserved for those who have practiced level II
The days take place near Mont-de-marsan in the Landes (40)
Access by motorway A 65 from Bordeaux
SNCF train station
