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Mouthpiece instruments Trumpet

Trombone

Horn

Hunting horn

Tuba

Prescription instruments... ​ Mouthpiece and reed instruments

Saxophone

Clarinet

Flute

Oboe

Bassoon

Bombarde

Day of discovery of sharing and exchange which allows you to get to know Robert Pichaureau, his philosophy, his discoveries, his remedies and start practicing the first exercises on yourself. Where does lip pain come from? How does this hinder progress? What are the physiological and physical consequences on musicians? How to get rid of this suffering What does this mean once removed? How to now access the super-high pitch without suffering and develop your detached sound. individual and personalized analysis of your instrumental playing and awareness of your individual problems.

Vincent Molères

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Hello fellow musicians,

   I had the privilege of working with Robert PICHAUREAU for nearly 20 years. It was a real pleasure and a discovery of myself. I have been teaching his magnificent "no pressing" method for almost 40 years . His philosophy of life and music have saved a good number of musicians from failure who, despite sometimes hard work, are enmeshed in problems as mysterious as they are insoluble, while undergoing  continuous pain and suffering, including of course the sore lips.

   Robert PICHAUREAU has helped many wind instrumentalists, young and old, to become accomplished artists, fulfilled, happy to play and eager to pass on their art. We are still a few to perpetuate his teaching, and I created this page so that his discoveries are not lost, are not forgotten.

   More than a simple musical learning, the teaching of Robert Pichaureau modifies over the years the perception that the pupils have of the music, the instrument, the sound, but also of what surrounds them. His philosophy of life penetrated them little by little, and very strong links were created between the Master and his students who formed a family, his family.

   Like me, those who believed in him and who never strayed an inch, those who went through all the stages marked out by Robert PICHAUREAU one by one, those know one thing: if their instrument goes haywire in a way or another, they will always be able to repair themselves, while now knowing how to help other musicians invaded by doubt and suffering.

   I transmit gradually and without any alteration  all the discoveries, exercises and remedies left to us by Robert Pichaureau who told me: it's guaranteed!

Thanks again to him for having transmitted to us the secret of the wind instruments and the voice.

Vincent Molères

Concerto en Ré mGeorg Philipp allégro
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