Intensive courses of 3 consecutive days
Méthode " No-Pressing" pour les instruments à vent
D'après les découvertes pédagogiques et philosophiques de Robert Pichaureau
Un antidouleur pour les instrumentistes à vent
Mouthpiece instruments Trumpet
Trombone
Horn
Hunting horn
Tuba
Prescription instruments... Mouthpiece and reed instruments
Saxophone
Clarinet
Flute
Oboe
Bassoon
Bombarde
Day of discovery of sharing and exchange which allows you to get to know Robert Pichaureau, his philosophy, his discoveries, his remedies and start practicing the first exercises on yourself. Where does lip pain come from? How does this hinder progress? What are the physiological and physical consequences on musicians? How to get rid of this suffering What does this mean once removed? How to now access the super-high pitch without suffering and develop your detached sound. individual and personalized analysis of your instrumental playing and awareness of your individual problems.
Level I
Our body, the real instrument
Open to all wind instrumentalists and singers
Get to know yourself, and increase your level of intimacy with your instrument.
What happens in your body when producing sound.
How your body works, your breathing, your muscles.
Take control of yourself and eliminate your doubts and suffering.
Remove your barriers to studying, your blockages and progress quickly.
“Man is indivisible, head and body are one.”
Robert Pichaureau
Stage 3
The unity of Man, body and spirit
Be in agreement with yourself
This last course brings together into a coherent, structured and homogeneous whole the various elements of the knowledge you have acquired of the method, your body and your instrument. The exercises practiced from the beginning bring you quite naturally to this unity of yourself, often lost because of your suffering and your difficulties.
Stage 2
The unconscious work of the body
The inner journey
The inner journey is an advance in the knowledge of oneself and one's instrument. Here you develop your inner vision. The specific exercises increase self-confidence as well as the desire to play. Affinity with your instrument increases. Your instrumental playing develops and playing becomes easier and easier.
Stage 1
Towards knowledge of one's body and its instrument
How to make your suffering disappear