Intensive courses of 3 consecutive days
Méthode " No-Pressing" pour les instruments à vent
D'après les découvertes pédagogiques et philosophiques de Robert Pichaureau
Un antidouleur pour les instrumentistes à vent
Mouthpiece instruments Trumpet
Trombone
Horn
Hunting horn
Tuba
Prescription instruments... Mouthpiece and reed instruments
Saxophone
Clarinet
Flute
Oboe
Bassoon
Bombarde
Day of discovery of sharing and exchange which allows you to get to know Robert Pichaureau, his philosophy, his discoveries, his remedies and start practicing the first exercises on yourself. Where does lip pain come from? How does this hinder progress? What are the physiological and physical consequences on musicians? How to get rid of this suffering What does this mean once removed? How to now access the super-high pitch without suffering and develop your detached sound. individual and personalized analysis of your instrumental playing and awareness of your individual problems.
The discovery day
Open to all beginner or experienced wind instrumentalists and singers
Introductory day of discovery of listening and sharing, you get to know Robert Pichaureau, his musical philosophy, his discoveries and his remedies, while taking your first steps. Practicing the first exercises allows you to first of all understand how a musical instrument works from a physical point of view, to find the cause of lip pain, and to know how to get rid of it once and for all. This excessive pressure from the embouchure or mouthpiece causes contractions throughout the body that threaten your musical balance and emotional well-being as a musician. The lack of endurance is directly linked to this excessive pressure, which also limits the development of detached and over-high notes, in reed instruments, but also particularly in brass instruments, which are more exposed because the mouthpiece is outside. of the body. This pain of the lips gone, you will be able to play for hours and hours.
The questions you have always asked yourself regarding learning your instrument and the difficulties encountered will find natural, sensible and logical answers in the philosophy and exercises left by Robert Pichaureau. Where are you in relation to your instrument.
What can you improve, change or modify to flourish more?
How can you acquire what you lack. What are the problems related to learning a musical instrument.
What are the solutions proposed by Robert Pichaureau.
How and why they work with all instruments.
How to apply your knowledge to yourself.
How to make them your own. What is letting go.
With the help of your trainer, by practicing the exercises proposed, you will be able to experience for yourself an individual and personalized analysis of your instrumental playing, understand the cause of your suffering and your doubts, and find the right exercises that be right for you.
"Once in contact with me, the student will realize that he is playing "upside down". He then hopes in 2 lessons that I will put him back on his feet. Naturally this is impossible in such a short time. time. Bad habits must first be eliminated. This work is arduous and this deconditioning takes more time than it takes for a “brand new” beginner to acquire good habits. really knows what to do with his body.”
Robert Pichaureau
The days take place near Mont-de-marsan in the Landes (40)
Access by motorway A 65 from Bordeaux
SNCF train station